12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard. Related Paintings of Francois Pascal Simon Gerard :. | Louis-Philippe Ier, roi des Francais, prete serment sur la Charte | Napoleon Ier en costume du Sacre | Portrat des Joachim Murat | baron Colbert de Chabannais | Portrait of Marie Louise of Austria, Empress of French | Related Artists:
GIOTTINO (Giotto di Stefano)Italian painter, Florentine school (b. 1320/30, Firenze, d. after 1369, Firenze)
Pieter de Grebber (c. 1600, Haarlem - 1652/3, Haarlem) was a Dutch Golden Age painter.
De Grebber was the oldest son of Frans Pietersz de Grebber (1573 - 1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria and Albert. He learned to paint from his father and from Hendrick Goltzius. He was descended from a Catholic and artistic family and his sister Maria later became the mother-in-law of Gabriel Metsu. He was a friend of the priest and musicologist Jan Albertszoon Ban, and had a poem set to music by the Haarlem composer Cornelis Padbrue. In 1632 he became a member of the Haarlem Guild of St. Luke, but he had already been active as a painter for 10 years. His pupils were Gerbrand Ban, Nicolaes Pietersz Berchem, Egbert van Heemskerck, and Dirck Helmbreeker.
In 1618, father and son went to Antwerp and negotiated with Peter Paul Rubens over the sale of his painting "Daniel in the lions pit". It was then handed - via the English ambassador in the Republic, Sir Dudley Carleton - to king Charles I. Pieter got important commissions not only in Haarlem, but also from the stadholder Frederik Hendrik. As such, he worked on the decoration of the Huis Honselaarsdijk in Naaldwijk and at the Paleis Noordeinde in Huis ten Bosch in the Hague. He painted altar pieces for churches in Flanders and hidden Catholic churches in the Republic. He may also have worked for Danish clients.
Pieter remained single and lived from 1634 until his death at the Haarlem Beguinage.
Josefa of Ayala1630-1684,Portuguese painter and engraver. She was the daughter of the Portuguese painter Baltazar Gomes Figueira (1597-1674) and a Spanish lady, Doea Catarina de Ayala y Cabrera. After the restoration of the Portuguese monarchy in 1640 the family moved to Coimbra. Here Josefa began her apprenticeship under her father, a painter of landscapes, still-lifes and religious works, who in 1644 painted the retable of Nossa Senhora da Graea, Coimbra, in the naturalist-tenebrist style he had learnt in Seville in the circles of Juan del Castillo,